In fact, in many ways, the study of music history from the Baroque ear (circa 1600–1750) through the early 20th century is a study of the progressive development of this compositional tool. The use of modulation is an essential skill for composers and songwriters. Instead, most classical composers accomplish modulation through the use of accidentals. We generally don’t use the term key change to describe modulation in classical music because the key signature often doesn’t actually change in the music notation. The term key change most often describes modulation in pop music, especially since a pop tune rarely returns to the original key once the tonal center has shifted. For example, in sonata form-a classical song structure-a composer may modulate through several closely-related keys or remote keys before returning to the original key in the final recapitulation section. In classical music, most modulations are not permanent. Unlike tonicization, modulation includes the melody in the tonal shift. On the other hand, we use the term modulation when one or more phrases end with a cadence in a new key. Additionally, most examples of tonicization are accomplished with little or no accidentals in the melody-a further indication that the tonal shift is subtle and short-lived. For example, secondary dominants are an example of tonicization. We use the term tonicization when the tonal shift is very temporary and doesn’t result in a cadence in a new key. While each term describes an instance in which a tonal shift occurs, the length of the tonal shift determines which term is appropriate. The musical terms modulation, key change and tonicization refer to similar compositional devices, but they are not exactly the same. Modulation, key change and tonicization …what’s the difference? Modulation is also commonly referred to as a key change, especially in pop music. Composers, songwriters and performers primarily use modulation to heighten the musical emotion or change the musical mood. In music, the term modulation refers to when the original tonal center or tonic shifts to a new one. Modulation, key change and tonicization…what’s the difference?Īfter today’s lesson, you’ll be able to add the exciting effect of music modulation to virtually any tune, even if a key change is not indicated in the original score.But how do you go about inserting a key change in the middle of a song? In today’s Quick Tip, Music Modulations-5 Essential Techniques, John Proulx illustrates 5 common modulation techniques on 10 familiar pop and jazz standards. Music modulations are remarkably effective at drawing audiences into your performance and creating a powerful climax. As a performer, one of the best ways to add emotion to your music is to incorporate a modulation.
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